Into the metaverse: my plan to level up broadcasting – with the 3D internet and a Blackpool ‘queercoaster’

Into the metaverse: my plan to level up broadcasting – with the 3D internet and a Blackpool ‘queercoaster’

2 years ago
Anonymous $R5WK5a8uaN

https://www.theguardian.com/culture/2022/mar/16/metaverse-david-olusoga-level-up-britain-3d-internet-blackpool-sheffield

From a dome celebrating smog-free Sheffield to a rollercoaster ride through Blackpool’s LGBTQ+ past, presenter and historian David Olusoga reveals how cutting edge tech can show us a new Britain

In the summer of 2020, a month after the statue of the slave trader Edward Colston was toppled and three months after George Floyd was murdered outside a convenience store in Minneapolis, I gave a lecture about race and racism, diversity and inclusion within the television industry. I used that platform, the James MacTaggart Memorial Lecture, to tell the story of how for decades TV has failed not only to address its diversity problem but, at times, even to acknowledge that it has one. On the small screen – as in the worlds of art, publishing, theatre and film – who gets their stories told and who gets to do the telling have never been based on talent and passion alone.

Into the metaverse: my plan to level up broadcasting – with the 3D internet and a Blackpool ‘queercoaster’

Mar 16, 2022, 7:13am UTC
https://www.theguardian.com/culture/2022/mar/16/metaverse-david-olusoga-level-up-britain-3d-internet-blackpool-sheffield > From a dome celebrating smog-free Sheffield to a rollercoaster ride through Blackpool’s LGBTQ+ past, presenter and historian David Olusoga reveals how cutting edge tech can show us a new Britain > In the summer of 2020, a month after the statue of the slave trader Edward Colston was toppled and three months after George Floyd was murdered outside a convenience store in Minneapolis, I gave a lecture about race and racism, diversity and inclusion within the television industry. I used that platform, the James MacTaggart Memorial Lecture, to tell the story of how for decades TV has failed not only to address its diversity problem but, at times, even to acknowledge that it has one. On the small screen – as in the worlds of art, publishing, theatre and film – who gets their stories told and who gets to do the telling have never been based on talent and passion alone.